That said I am gratified that Hollywood has broken its creative drought as far as villains go, I am of course referring to the Vatican in the movie extracted from the Dan Brown masterpiece “Angels and Demons”. With all the talk about fire, air, water and earth I thought perhaps an eighties Funk band Earth, Wind and Fire had taken over the Holy See but I was wrong , it was just some bullshit to put into the mouths of the Illuminati, the dark masters that control our lives and are doing such a splendid job of running the world.
It’s understandable why
I love baddies, when Anthony Hopkins growls “Oh Senator… Love your dress…" to Diane Baker in "Silence of the Lambs" I get all fertumlt. For a long time baddies have been rogues; rogue cops, rogue CIA, rogue businessmen, even rogue terrorist as in Alan Rickman’s remarkable slice of ham in "Die Hard". Of course that franchise hosted a remarkable bunch of rogues; rogue mercenaries in "Die Harder" , Alan Rickman’s rogue Euro-trash brother Jeremy Irons in "Die Hard 3" and finally a rogue computer geek in "Die Hard 4".
I am not referring to “The Rogues” a fine piece of televised fare starring Gig Young, Charles Boyer and David Niven, so shut up.
It’s been a while since Hollywood cast a member of a readily recognizable denomination as evil incarnate, usually it’s limited to rogue priests bent on blowing smoke up Damien’s ass prior to the Apocalypse, crazy Protestants like Carrie’s mom or bigoted fundamentalist that don’t understand that kids gotta dance. I am okay with that if it keeps them from making the movies they want to make.
Terrorist are okay baddies as long as they are Irish or vaguely European with just a hint of German because they’re all Hitler loving, bat shit crazy, militarists, but an Arab terrorist is verboten, that’s a word I heard Euro-terrorist use. As far as
If villains belong to an obvious racial group, they are immediately branded a Mafia, as in Jamaican Mafia, Russian Mafia and Japanese Mafia. In Movies like The God Father and The Sopranos the actual Mafia, the one with Italians in it, the Mafiosi are complex characters, usually likable and not evil cut outs with one dimensional motivation. Tony Soprano was a concerned father as well as a murderous thug when he dispatched Big Pussy, whereas the Russian Mob would be just as soon send Viggo Mortensen over to gut you like a cat fish in front of the kids. This is possibly because the real Mafia does business in
You have to go back to Murder Incorporated to find a really reprehensible Jewish baddy and even then Peter Falk played Abe Reles. It's hard to picture our beloved Lt. Columbo as a soulless psychotic even knowing as much as we do about him now. Of course Jewish actors managed to play baddies by impersonating other ethnic groups that they shared an affinity, like Abner Biberman as Chota in the afore mentioned Gunga Din. It's similar to the shared affinity Hollywood recognised between the Chinese and Swedes when they cast Warner Oland as Charlie Chan.
Black people got to be the best of baddies first in that racist peon “Birth of a Nation” Woodrow Wilson adored, except that all the black baddies were white guys in black face which seems like an insult and a jip. There weren’t any good black baddies after Melanie got ambiguously bothered in Gone With The Wind until Danny Glover played a serial killer on a train and Densel
Oh yeah and Candyman. And the five or less players in those Dirty Harry movies and something Robert Hooks did in the seventies, without IMDB I’m screwed. Damn you Earthlink!
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